Tom: B
B F# A E
Oh, when the quality's poor how can you sell a feeling without
B F# A A
Unethical means of promotion?
B F#
Well I'm not going away
E A
I'm just getting younger every day
B F# A
Is quality equal to means of production?
F#
Well it must mean something
[Chorus]
E B
I'll always know
A E
To look both ways before I cross the road
B F# A
If I get hit, all that means is compensation
E B
I'll always know
A E
To look both ways before I cross the road
B F# A
If I get hit, all that means is compensation
E
At least it's something
[Bridge]
A G A
[Verse 2]
B F#
Wonderful woes
A E
Are we satisfied with truthfully anything?
B F# A A
Heart on your sleeve misrepresented
B F#
Well maybe I can't complain
E A
Objects in motion won't stay in the same place
B F# A
Is sacrificing integrity the intention?
E
It's up for contention
[Bridge]
B E A x3
A
[Verse 3]
B F#
Friendliest foes
A E
Take a baseball bat straight to the knees
B F# A A
You only get to leave if you are broken
B F# A E
A real catch-22 for all the nation's privileged youth
B F# A
Is any of this even worth all of the attention?
F#
Yeah, did I mention
[Chorus]
E B
I'll always know
A E
To look both ways before I cross the road
B F# A
If I get hit, all that means is compensation
