Tom: D
[Chords]
G A Bm D
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G|---3------0------3------3---------------|
D|---0------0------0------0---------------|
A|---0------2------4-----(7)--------------|
E|------------------------0---------------|
[Intro]
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G|---3------3p0-----0-0--0-0-0-3------3------3p0-----0-0--0-0-0-3---------|
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E|--------------------5--------------------------------5------------------|
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A|-----------------------0-----------------0------------------------------|
E|-----------------------------------------5------------------------------|
There is a chest of skin, of drawers, with pictures of waterspouts
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coming out from the ocean and into the mainland
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where you once lived before when you were younger before you learned
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how to hope, want, or wish
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Your step became unsteady once, even more, every time
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you would stand on shrapnel.
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E|-------------------------------------------5----------------------------|
Underneath your feet, there was a growth under your skin, an addition of pride,
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for your newfound wasteland
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But even worse, the future you see,
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the future you bring, the future you are completely okay with.
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I could wait up sick, waiting for a response, I could wait up
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waiting for anything, and it’s something that you’re completely okay with.
[Chorus]
E|-----------------------------------------------------------------------|
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G|-----3------3------3------3-----------3------3------3------3-----------|
D|-----------------------------------------------------------------------|
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E|-----------------------------------------------------------------------|
You’ve been standing outside of my
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D|----------------------------------0------------------------------------| X2
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apartment with your mouth open wide, and I haven’t heard enough of it.
G
Tell me, tell me, Miranda,
A
where do you see yourself tomorrow?
Bm
Do you worry each Wednesday,
D
when the week is almost over,
G
where you will sleep
A
where you will sleep
Bm
your sanctuary is Missouri in May,
D
and I still insist on cutting my tongue off.
[Chorus]
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G|--3----3------3------3------3-----------3------3------3------3---------|
D|--0--------------------------------------------------------------------|
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E|-----------------------------------------------------------------------|
You’ve been standing outside of my
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D|----------------------------------0------------------------------------| X2
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apartment with your mouth open wide, and I haven’t heard enough of it.
G A
I will not speak of the crash,
Bm
cause if it is never spoken of,
D
then history will never know it happened.
G
If it is never written about,
A
then no one can ever read it.
Bm
If it is never talked about,
D
then no one can ever hear it
G A Bm D
then no one can ever hear it then no one can ever hear it
G
Do we know the truths
A
Of every broken step?
Bm
Only if it’s told,
forgotten when it’s old,
D A
undesired and cold,
A Bm D
there is no story to be sold.
[Instrumental]
G A Bm D
(we’ll say) X4
G
We’ll say
A
we’ll meet up in some hotel room,
Bm
be it fancy or pay by the hour,
D
and we’ll comfort each other
G
like we used to in our time,
A
you’ll say it’ll be just like the old days
Bm
but it won’t be the fucking old days
D
no it won’t be the fucking old days,
G
only now with our broken parts,
A Bm
our overused and torn up pieces.
D
Will it be better than before?
G
Will it be better than before?
A
Do we thank our practice with others,
Bm
or will it be tarnished by exact thought?
D
Will it be better than before?
G
Will it be better than before?
A Bm D
Will it be better than befoooooore?
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************************************
/ slide up
\ slide down
h hammer-on
p pull-off
