Tom: D
Intro: (F# E)
E F#
His world is under observation, we monitor his station
E F#
Under faces and the places, where he traces points of view
(F# E)
E F#
He picks up scraps of conversation, radio and radiation
E F#
From the dancers and romancers, with the answers but no clue
(D F#)
D F#
He'd love to spend the night in Zion
D F#
He's been a long while in Babylon
D F#
He'd like a lover's wings to fly on
D F#
To a tropic isle of Avalon
(F# E)
E F#
His world is under anesthetic, subdivided and synthetic
E F#
His reliance on the giants, in the science of the day
(F# E)
E F#
He picks up scraps of information, he's adept at adaptation
E F#
Because for strangers and arrangers, constant change is here to stay
(D F#)
D F#
He'd love to spend the night in Zion
D F#
He's been a long while in Babylon
D F#
He'd like a lover's wings to fly on
D F#
To a tropic isle of Avalon
(D E G)
D E
He's got a force field and a flexible plan, he's got a date with fate in a black sedan
G D
He plays fast forward for as long as he can, but he won't need a bed
E G D
He's a digital man
Solo : (F# D C#m A Ab F#)
(D F#)
D F#
He'd love to spend the night in Zion
D F#
He's been a long while in Babylon
D F#
He'd like a lover's wings to fly on
D F#
To a tropic isle of Avalon
(D E G)
D E
He's got a force field and a flexible plan, he's got a date with fate in a black sedan
G D
He plays fast forward for as long as he can, but he won't need a bed
E
He's a digital man
G D
He plays fast forward for as long as he can, but he won't need a bed
E
He's a digital man
G D
He plays fast forward for as long as he can, but he won't need a bed
E
He's a digital man
G D
He plays fast forward for as long as he can, but he won't need a bed
E
He's a digital man
