Tom: Em
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WELL IT'S 3 O'CLOCK IN THE MORNIN' Y'ALL
C
AND I'M BIDIN' MY TIME
E7
GIVE ME TWO MOD MR. WAITER
YOU KNOW I GOT A WHOLE LOT ON MY E ND
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I'M GOIN' BACK TO LOUIB-A NA, TO THAT GIRL I LEFT BEHIND
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G B7 C
OH, I BEEN TO MEMPHIS BABY, I BEEN TO KANSAS CITY TOO
E7
NEVER MET A WOMAN WHO COULD LOVE ME LIKE YOU C
G E7 E7 D7 G
I'M GOIN' BACK TO LOUIB-A NA, TO THAT GIRL I LEFT BEHIND
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G B7 C
YEAH, SHE'S MY KIND OF WOMAN, Y'ALL, SHE JUST MY STYLE
E7
KNOCKS ME OUT THE WAY SHE LOOKS ME IN THE EYE
G E7 E7 D7 G
I'M GOIN' BACK TO LOUIB-A NA, TO THAT GIRL I LEFT BEHIND
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D7
SHE USED TO LIVE IN SHD VEPORT THEN SHE MOVED
G
BET YOU TEN TO ONE SHE'S GONE TO BATON ROUGE
E7
I GONNA LOOK HER UP IF YOU KNOW WHAT I MEAN
D7
IF I HAVE TO GO AS F R AS NEW ORLEANS
G B7 C
IF I'M TALKIN' TO YOU HONEY, YOU KNOW I GOT TO FIND
E7
MY BABY, GOT TO MOVE ON C WN THE LINE
G E7 E7 D7 G
I'M GOIN' BACK TO LOUIB-A NA, TO THAT GIRL I LEFT BEHIND
C G
D7
SHE USED TO LIVE IN SHD VEPORT THEN SHE MOVED
G
BET YOU TEN TO ONE SHE'S GONE TO BATON ROUGE
E7
I GONNA LOOK HER UP IF YOU KNOW WHAT I MEAN
D7
IF I HAVE TO GO AS F R AS NEW ORLEANS
G B7 C
IF I'M TALKIN' TO YOU HONEY, YOU KNOW I GOT TO FIND
E7
MY BABY, GOT TO MOVE ON C WN THE LINE
G E7 E7 D7 G
I'M GOIN' BACK TO LOUIB-A NA, TO THAT GIRL I LEFT BEHIND
