Tom: Am Intro: palm mute rhythmically (also through out the first verse: Verse 1: Yeah, I'm losing my edge. I'm losing my edge. The kids are coming up from behind. I'm losing my edge. I'm losing my edge to the kids from France and from London. G G E G E G But I was there. Verse 2: (entire verse is based around the riff* G I was there in 1968. G I was there at the first Can show in Cologne. G I'm losing my edge. G I'm losing my edge to the kids whose footsteps I hear when they get on the decks. G I'm losing my edge to the Internet seekers who can tell me every member G of every good group from 1962 to 1978. G I'm losing my edge. G To all the kids in Tokyo and Berlin. G I'm losing my edge to the art-school Brooklynites in little jackets G and borrowed nostalgia for the unremembered eighties. G But I'm losing my edge. G I'm losing my edge, but I was there. G I was there. G But I was there. G I'm losing my edge. G I'm losing my edge. G I can hear the footsteps every night on the decks. G G G E G E G But I was there. G I was there in 1974 at the first Suicide practices in a loft in New York City. G I was working on the organ sounds with much patience. G I was there when Captain Beefheart started up his first band. G I told him, "Don't do it that way. You'll never make a dime." G I was there. G I was the first guy playing Daft Punk to the rock kids. G I played it at CBGB's. G Everybody thought I was crazy. G We all know. G I was there. G I was there. G I've never been wrong. G I used to work in the record store. G I had everything before anyone. G I was there in the Paradise Garage DJ booth with Larry Levan. G I was there in Jamaica during the great sound clashes. G I woke up naked on the beach in Ibiza in 1988. G But I'm losing my edge to better-looking people with better ideas and more talent. G And they're actually really, really nice. G I'm losing my edge. G I heard you have a compilation of every good song ever done by anybody. G Every great song by the Beach Boys. All the underground hits. G All the Modern Lovers tracks. G I heard you have a vinyl of Every Niagra record on German import. G I heard that you have a white label of every seminal Detroit Techno hit - 1985, '86, '87. G I heard that you have a CD compilation of every good '60s cut and Another box set from the '70s. G I hear you're buying a synthesizer and an arpeggiator G and are throwing your computer out the window G because you want to make something real. You want to make a Yaz record. G I hear that you and your band have sold your guitars and bought turntables. G I hear that you and your band have sold your turntables and bought guitars. G I hear everybody that you know is more relevant than everybody that I know. G But have you seen my records? G This Heat, Pere Ubu, Outsiders, Nation of Ulysses, Mars, G The Trojans, The Black Dice, Todd Terry, the Germs, Section 25, G Althea and Donna, Sexual harassment, a-ha, Pere Ubu, Dorothy Ashby, PIL, G the Fania All-Stars, the Bar-Kays, the Human League, the Normal, Lou Reed, Scott Walker, Monks, Niagra, G Joy Division, Lower 48, the Association, Sun Ra, G Scientists, Royal Trux, 10cc, G Eric B. and Rakim, Index, Basic Channel, Soulsonic Force ("just hit me"!), G Juan Atkins, David Axelrod, Electric Prunes, Gil! Scott! Heron!, the Slits, G Faust, Mantronix, Pharaoh Sanders and the Fire Engines, the Swans, the Soft Cell, G the Sonics, the Sonics, the Sonics, the Sonics. Outro: G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C You don't know what you really want. G C