Tom: Am E|E|-------------------------------------------------------------------------------|| Real Motherfuckin G's - Eazy-E E|E|-------------------------------------------------------------------------------|| Tabbed by: Bryan Reznicek Tuning: Standard (E-B-G-D-A-E) high->low) Key Legend: (#) - Dead Note (x is also a dead note) s - Slide h - Hammer-on p - Pull-off Intro E|-----------| B|-----------| G|-------(7)-| Rake this part D|-----(7)---| A|---(5)-----| E|-(5)-------| Rhythm* E|-----------| B|-----------| G|-----7~~-7-| D|-----7~~-7-| A|-x-x-------| E|-----------| ^ v Chorus E|-----------------------------------| B|-0---6h8p6h8p6---8h10p8---10h12p10-| Synth part for guitar G|-----------------------------------| D|-----------------------------------| A|-----------------------------------| E|-----------------------------------| p.m. Bass Part E|------------------------------| B|------------------------------| Bass part played simulatoneously G|------------------------------| with above synth D|------------------------------| A|-2222-0-2-3s5-----------------| E|---------------0001-223-445---| Pre-Chorus (~2:26) E|---------------------------------| B|-(0)---s10~~---------(0)---s10~~-| Played before the chorus G|---------------------------------| D|---------------------------------| A|---------------------------------| E|---------------------------------| And this is my interpretation of the D.J. in the background. You have to experiment with it but it's got a steady rhythm to it. When I did this I held my fret hand over the second fret, but not pushing down on the strings so I was playing dead notes. I held my picking held at like a 45' angle and just brushed my hand against the strings to make a more percussive noise. It sounds very cool if you layer it with other tracks. |-xxxxxxxxxxxxxxxx-| |-xxxxxxxxxxxxxxxx-| E|---xx--xx--xx--xx-| B|-xx--xx--xx--xx---| G|------------------| D|------------------|