Tom: G
| C G | Em D |
| C G | Em D |
[Verse 1]
C G
Oh, well imagine
Em D
Oh, I'm pacing the pews in a church corridor
C G
And I can't help but to hear
Em D
No, I can't help but to hear an exchanging of words
C G
What a beautiful wedding
Em D C
What a beautiful wedding, says a bridesmaid to a waiter
G
what a shame
Em D
Poor groom's bride is a whore
[Chorus]
C G
I chime in with a
Em D C
Haven't you people ever heard of closing the goddamn door, no
G Em
It's much better to face these kind of things
D
With another Miller Light up on the porch
C G
Yeah
Em D C
Haven't you people ever heard of closing the daggum door, no
G Em
It's much better to face these kind of things
D C G Em D
With a sense of
[Verse 2]
C G
Oh, well, in fact
Em
If you look at it this way
D C
Technically, our marriage is saved
G
Well this calls for a toast
Em D C
So pour the champagne, pour the champagne
G
In fact
Em
I mean look at it this way
D C
Technically, our marriage is saved
G
This calls for a toast
Em D
So pour the champagne
Am7 Bm C
Wooh
Am7 Bm C D
Poor the champagne Yeah
[Chorus]
C G
Oh, I chime in with a
Em D C
Haven't you people ever heard of closing the goddamn door, no
G Em
It's much better to face these kind of things
D
With another Miller Light up on the porch
C G
Yeah
Em D C
Haven't you people ever heard of closing the daggum door, no
G Em
It's much better to face these kind of things
D C G Em D
With a sense of poise and rationality
[Solo]
| Em | D Bm|
| C | G |
| D | D
[Chorus]
C G
Well, I chime in
Em D C
Haven't you people ever heard of closing that goddang door
G Em D
It's much better to face these kind of things
C G
With a sense of yeah
Em D Bm C
Haven't you people ever heard of closing the goddang door, no
G Em D
It's much better to face these kind of things With a sense of
[Outro]
| C G | Em D |
| C G | Em D |
Girl
| C G | Em D |
| C G | Em D
